More on this to come (as if you care), but it should feature similar content to the blog but in audio form so you don't have to spend your time reading which can be tricky and annoying. In the meantime, feel free to "like" us on Facebook, or follow me on Twitter for important updates (read: "pointless observations").
Tuesday, November 27, 2012
Unentertainment Podcast to Debut December 19
More on this to come (as if you care), but it should feature similar content to the blog but in audio form so you don't have to spend your time reading which can be tricky and annoying. In the meantime, feel free to "like" us on Facebook, or follow me on Twitter for important updates (read: "pointless observations").
Monday, November 12, 2012
Tribute to INXS: Top 5 "Hallway-Walking" Songs
As if Monday couldn’t get any more depressing, Australian
rock group INXS announced today that they were retiring from the rock scene. This was a shocking development; I mean, who could have
possibly guessed that INXS hadn’t already
quit?
They will be missed, though, as there may never be another
band so profound at creating perfect background music for a person
rhythmically walking down a hallway--periodically pointing at bystanders,
performing pivots/spin-moves, posing, removing their jacket and tossing it to
an on-looking crowd, etc. If it were up to me, every movie would begin with an opening-credits scene featuring the protagonist dance-walking through a high school with INXS blaring, including Argo.
Now as any top music critic will tell you, it is nearly impossible to narrow INXS' vast discography to just a few of their most appropriate compositions for pulsating interior foot-traversing, but I have tried.
Now as any top music critic will tell you, it is nearly impossible to narrow INXS' vast discography to just a few of their most appropriate compositions for pulsating interior foot-traversing, but I have tried.
As a tribute to this legendary group, from five to one, I
present INXS’ top “Walking Down a Hallway” hits. And, as a bonus, I’ve provided a breakdown of some
of their horrific genius lyrical work from within these works of art,
because when you think INXS, you think horrific flawless, horrific inspirational songwriting.
5. “The One Thing”
An upbeat tune to start, you have to have a brisk pace when
traveling the corridors for this one. This
tune provides ample opportunities to vary your movements choreographically; the sax solo (starting around the 1:35 mark)
allows the walker to add some passionate twitching to their stride.
Key Lyrics Breakdown:
It’s difficult to decipher just what the hell INXS lead man Michael
Hutchence was talking about in this track, as we can see when we look at
the first verse:
Well you know
just what you do to me
The way you move soft and slippery
Cut the night just like a razor
Rarely talk and that's the danger
The way you move soft and slippery
Cut the night just like a razor
Rarely talk and that's the danger
That
is poetry too deep for a literary novice like me to comprehend, for sure. For example, I don’t see how
rarely talking could be a danger. But for as
clouded as that verse’s meaning is for me, anyone can recognize the deep
romanticism as Hutchence speaks to his love interest in the hook lines:
It's the one
thing
You are my thing
You are my thing
That’s
right: “You are my thing.” Go ahead and try that line on your
girlfriends, men, provided you are trying to break up with them. I’d blame that line on a translation issue
except I’m pretty sure I heard somwhere that Australians speak English (some weird version of it,
anyway).
4. “Devil Inside”
With
the intensity-depressed intro to this song, it is perfect for walking up to the set of
swinging double-doors that act as the entrance to the hallway you are going to power walk
through. Make sure you push both of
those doors open at the same time when you burst through at the 0:39 mark,
when once again you will have to maintain a speedy pace. That potentially exhausting rate of stride is all
that keeps this song out of the top 3.
Key
Lyrics Breakdown: Again, the complexity of this song is pretty overwhelming, so
here let’s just examine INXS' fine attempt to rhyme words. Taken from the second verse:
Here come the
man
With the look in his eye
Fed on nothing
But full of pride
Look at them go
Look at them kick
Makes you wonder how the other half live
With the look in his eye
Fed on nothing
But full of pride
Look at them go
Look at them kick
Makes you wonder how the other half live
Well,
first, “eye” is rhymed with “pride.”
Later, “kick” is rhymed with “live.”
It’s unclear who the “them” is that is going in the fifth line, but they are probably leaving because they've had enough of being written into songs by a lyricist who doesn't understand how rhyming works.
3. “Need You Tonight/Mediate”
Finally,
we can walk at a more leisurely pace.
In addition to a slower tempo, “Need You Tonight/Mediate” allows plenty of opportunities for
stopping/posing, which can be followed immediately by a fist pump, if you are
feeling up to it. As far as your walking
routine goes, the “Mediate” section can probably be cut out, but it does provide a
signifcant achievement, lyrically.
Key
Lyrics Breakdown: My theory is that INXS
probably received a lot of crap about their kindergartenesque
lyrics in their early songs. So, while sulking, they wrote "Mediate," proving that if push came to shove, they do know how to rhyme words correctly:
Mediate
Clear the state
Activate
Now radiate
A perfect state
Food on plate
Gravitate
The Earth's own weight
Designate
Clear the state
Activate
Now radiate
A perfect state
Food on plate
Gravitate
The Earth's own weight
Designate
Your love as
fate
At ninety-eight
At ninety-eight
We all rotate
Now,
of course, these lyrics still don’t make sense,
but they do rhyme, and as Meat Loaf
said, “Two out of three ain’t bad,” and one out of two is like, almost two out
of three.
2. “New Sensation”
Remember
that double-door burst-through mentioned for use in “Devil Inside?” Well that same move works well at the 0:09
mark in this one. Also, make frequent use of
hesitation-moves (at 0:33, for example).
Pretty much just copy whatever Hutchence does in the music video, and
you’ll be performing some pretty chic hallway maneuvers.
Key
Lyrics Breakdown:
Love baby love
It's written all over your face
There's nothing better we could do
Than live forever
Well that's all we've got to do
It's written all over your face
There's nothing better we could do
Than live forever
Well that's all we've got to do
At a
certain point, you realize that that even INXS has no idea what they are
talking about. (Also, they rhyme “do”
with “do” here.)
All
we’ve got to do is live forever? Sounds
easy enough. I’ll get right on
that.
1. “What You Need”
Remember
the songs that finished two and three on this list? Well I’m not sure we can be 100% certain that
this song is not identical to either or both of those. The nice part of that
self-plagiarism is it means that this track is just as awesome to rhythmically stride to as the previous two. Actually
it’s better, because it is number one on this list. Duh.
Key Lyrics Breakdown: If someone sits down and reads enough INXS lyrics they eventually will find some that make sen—ah just kidding, they always seem pretty stupid:
Ain't no sense
in all your crying
Just pick it up and throw it into shape
Just pick it up and throw it into shape
Disagree with this list? That’s totally understandable. There are hundreds of INXS songs out there, almost all of which sound exactly the same. You can pick any five tracks of theirs at random and they will be pretty much be the same as what I have highlighted earlier. The important thing is that we all are on the same page in commemorating the end of an era.
It’s alright, and probably even appropriate, for us to feel bad about having heard INXS' last obnoxious and unnecessary sax solo. We can and should be somewhat
depressed over the retirement of a group of inspirational and transcendent rock
gods.
But
there ain’t no sense in all our crying about it. Let's pick it up and throw it into
shape.
Sunday, November 11, 2012
College Hoops: Cleaning Up the AP Poll
The college basketball season tipped off Friday, with the
exception of the games that were scheduled to be played on aircraft carriers,
which were promptly cancelled because—much to the surprise of the NCAA—aircraft
carriers are located outdoors, where moisture has the tendency of forming from
time to time and can, like, get on the court and make things slippery. So not
as many games tipped off as were scheduled to, but there were still some
interesting developments on the court, most notably UConn knocking off Michigan State .
This was surprising because Connecticut should be bad after losing two
players to the NBA and their HOF coach since a year ago—when they weren’t that
good really anyway. (To be fair, one of
those “NBA players” was Andre Drummond.)
Tom Izzo's fan club will again be annoying throughout the winter. |
It’s pretty obvious that a lot of teams are just not ranked
correctly, just as it was obvious in football that teams like Florida State ,
and Michigan
had no business being ranked as high as they were in the preseason poll. Unfortunately, I cannot prove that I knew the
Seminoles and Wolverines were overrated going into the football season, because
I didn’t fearlessly post those thoughts on a blog that nobody reads. To avoid duplicating such a misstep, I hereby
present what’s wrong with the AP preseason poll:
WHATS WRONG WITH THE
AP PRESEASON POLL
Slightly Overrated
Teams: 2. Louisville ,
11. North Carolina
It’s difficult to pick the elite teams without seeing them,
but Louisville
will surely not enter the NCAA’s with a 1-seed.
They have experience, sure, but they are also starting Gorgui Dieng,
whose offensive skills are so poor that by comparison Drummond actually looks
like a lottery pick. A Sweet 16 team probably—but they’re not that special.
North Carolina
lost a lot from last season. Also they
just disgust me. Number 11 is too
high.
Rick Pitino will have to deal with Gorgui Dieng's overrated post play for one more season. |
Very Overrated—Possibly/Likely
Will Not Be Ranked by the End of the Season and Potentially NIT-bound Teams: 5.
Michigan , 6.
NC State
Both teams on paper have the talent to be ranked here, but anybody who follows college hoops closely knows both teams are much more likely to end up sixth in their conference than sixth in the nation. NC State had a nice run in last year’s tournament that many took as a sign of things to come, and Trey Burke showed flashes of greatness for the Wolverines last year and has plenty of support. But somehow it won’t matter.
Has the AP Even Observed
the Pac-12 the Past Few Seasons? Teams: 12. Arizona , 13. UCLA
As much as preseason polls have wanted the Pac-12 to be a
real conference the past few seasons, that just hasn’t been the case. For the
majority of the last two years the Pac-12 has struggled to have a single team
ranked in the top 25. I don’t see why
it will be any different this year. One
of these two teams may end up somewhere in the 20-25 range; the other will be
lucky to experience March Madness in-person.
Josh Smith remains huge. The Pac-12 remains bad. |
The Potentially
Underrated Teams: 8. Duke, 16. Creighton, 23. Wisconsin, NR Minnesota, NR
Pittsburgh, NR Marquette, NR West Virginia
Doug McDermott looks to defend his "Best Player in the Nation to Wear a T-shirt Under His Uniform" Honors |
Saturday, November 3, 2012
Scintillating Sci-Fi Flick Movie Film
Motion Picture of the Week: Raptor
Ratings: 2.6/10
IMDB, 19% Rotten Tomatoes
Setting the Stage: This classic motion picture sets the tone early, with a group of
college students driving their jeep to the edge of a desert cliff to drink some
beers. Even though this seems like a
pretty good idea, things take a turn for the worse when they are instantly
mauled by a raptor (played throughout the movie by raptor dolls held up close
to the camera). The audience gets to see
the attack through the eyes of the raptor itself (You can tell it’s raptor-vision
because the your TV screen is tinted green, duh.). One thing you will notice
about the raptor throughout the film is that it has been conditioned to attack
the stomach and only the stomach of its targets, as we can see from the
following chart:
Source: The Discovery Channel |
It turns out that some
indeterminate amount of raptors have escaped from some lab operated by a
scientist (“Dr. Hyde”…yep, creative name) who had been developing dinosaurs for military
purposes until the government shut him down, as if that was going to stop
him. After being alerted to his
continued genetic experiments, the government gets involved, sending multiple
teams in to bust up the operation, including one unit wearing winter camouflage
(to infiltrate a lab which is indoors), a unit wearing berets, and finally, a
unit wearing—why not?—raincoats. It’s
very unclear what any of these teams are doing, particularly the raincoat gang,
which runs into the facility and then immediately runs out of it, having
accomplished the feat of lightly jogging 200 feet, but not accomplishing much
as far as containing rogue reptilian beasts.
Fortunately, local sheriff
Eric Roberts is also on the case, and before you know it, a bunch of
fundamentally confusing and stupid things are happening, with the movie
culminating in Roberts fighting the boss T-Rex (which, scientifically speaking,
is not a raptor—the creature the movie was named after) with a Bobcat (much
more on this later). As you watch this
film you will be constantly reminded of how far film-making has come since the
early 70’s. Except this was filmed in 2001.
Most Valuable Actor: Roberts. Throughout a movie
with some questionable acting and an even more questionable storyline, E-Rob never
breaks stride, with a consistent pretty-boy smirk on his face, and an
ever-present self-confidence that borders on cockiness. He also does some pretty convincing facial
grimacing and straining in the final climatic sequence (see “Best Scene”).
Most Valuable Actress: Lorissa McComas. Apologies to Melissa Brasselle, who
plays E-Rob’s love interest Barbara in the film; despite giving her best acting effort in the
form of not mispronouncing too many words, even exchanges such as the following
were not enough to garner her best actress distinction:
Dr. Hyde:
Your lady friend isn't a very good poker player, Sheriff. She's just revealed
her hand.
Barbara: Actually, I prefer dominoes.
Burn.
No, the best actress in this
movie is Lorissa McComas, who plays Roberts’ daughter to over-acting
perfection. Her shining moment comes
after watching her boyfriend get disemboweled by a raptor (she narrowly escapes
death) when she is locked in a fear-triggered coma (a completely not made-up
medical condition) and remains frozen with a look on her face that very well
could be a look of terror.
Her semi-conscious body is
taken to a hospital (played by a bed and breakfast room with a guy dressed up vaguely like
a doctor standing in it), where the best exchange in the film takes place.
Best Exchange:
Doctor: "I'm afraid your daughter is suffering
from a rare form of traumatic catalepsy."
Roberts: "And that would be what, doctor?"
Doctor: "Well, something so terrified your girl that she shut off part of her mind to avoid thinking about it."
Roberts: "That's not like her."
Roberts: "And that would be what, doctor?"
Doctor: "Well, something so terrified your girl that she shut off part of her mind to avoid thinking about it."
Roberts: "That's not like her."
He knows his daughter very
well apparently.
Best Scene: There
are a lot of continuity errors in this movie. Day turns to night and back within individual scenes,
the windows on the jeep in the beginning are plastic and then glass and then
covered in blood and then less bloody plastic, and so on. There is a scene involving a truck crashing
off a bridge that really cannot even be described except to say that there are
about 17 things fundamentally wrong with the 15-second sequence. So it really takes something drastic to stand
out in a film like this, but the final scene does just that.
Basically, a tyrannosaurus
rex escapes the lab and is on the verge of wiping out all of the main
characters plus the raincoat brigade, when Roberts hatches a plan. He sees a white front-end loader Bobcat
sitting by the lab, and promptly boards it and fires up the engine. From here, there are a lot of close-ups of
E-Rob grunting while working the controls as he is locked in basically a sumo
match with the dinosaur. Only the white
Bobcat periodically becomes a much larger, yellow machine with forklift
attachments, and then later, a similar forklift with a huge mechanical arm. After finally dispatching of the t-rex by
pushing it into an underground shaft, Roberts hops out of—a small, white Bobcat
(with a smirk on his face, of course).
It really has to be seen to be believed; this sequence alone is enough
to make the movie worth watching.
Bonus “Did you know?” about Raptor courtesy of IMDB: “The Purex Poultry truck is a Mitsubishi Fuso.”
Important information. Thanks IMDB.
Labels:
Eric Roberts,
Motion Pictures,
Reviews,
Scintillating Sci-Fi
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